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Clef: TrebleTreble
Participation: 100%
Unique Durations: 6-7
Unique Accidentals: 3-4
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Handel
Sarabande
Paul Cooper1
6:24 Est. Play
Time
64 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Recorder Treble 16 0 3 6 100%
Treble 15 0 3 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Recorder Treble 16 0 3 6 100%
Treble 15 0 3 6 100%
Treble 18 0 4 5 100%
Bass 11 0 2 4 100%
 
02. Behold The Lamb Of God
crize2foi
0:57 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 13 0 3 6 100%
Soprano Treble 13 0 3 7 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 13 0 3 6 100%
Soprano Treble 13 0 3 7 100%
Bass Bass 15 0 3 7 92%
Tenor Treble 13 0 4 6 92%
 
Messiah| No.22: Behold the Lamb of God
Pete Alan
3:12 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 16 0 3 8 100%
Violin
I		 Treble 17 0 3 7 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 16 0 3 8 100%
Violin
I		 Treble 17 0 3 7 100%
Violin
II		 Treble 20 0 4 8 100%
Double
Bass		 Bass 16 0 3 7 97%
Alto Treble 13 0 3 6 81%
Soprano Treble 13 0 3 7 81%
Bass Bass 15 0 3 7 75%
Tenor Treble 13 0 4 6 75%
 
Air From Water Music
flippeters
1:52 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 23 29 4 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 23 29 4 7 100%
 
Händel - Lascia Ch'io Pianga, for Flute and Cello
Hyeon Kim
3:36 Est. Play
Time
72 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 18 17 3 6 100%
Bass 16 6 2 5 99%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 18 17 3 6 100%
Bass 16 6 2 5 99%
Cello Bass 20 0 2 8 89%
Flute Treble 15 0 3 11 89%
 
Händel - Arioso: "Dank sei Dir Herr", for Flute and Cello
Hyeon Kim
3:20 Est. Play
Time
81 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 23 68 4 6 99%
Bass 26 26 4 3 99%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 23 68 4 6 99%
Bass 26 26 4 3 99%
Cello Bass 20 0 4 5 98%
Flute Treble 13 0 4 5 68%
 
For Unto Us A Child is Born
Mikey Hare
3:57 Est. Play
Time
99 Measures
1,187Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 19 0 3 7 98%
Treble 19 0 4 7 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 19 0 3 7 98%
Treble 19 0 4 7 100%
Violoncello Bass 19 0 3 6 100%
Trombone Bass 12 0 2 7 68%
Bass 16 0 3 6 58%
B♭
Trumpet		 Treble 13 0 2 7 66%
Treble 12 0 2 7 66%
 
"Da tempeste il legno infranto" from "Giulio Cesare," HWV 17 (1724)
edward.maurath
8:36 Est. Play
Time
100 Measures
2,042Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 23 49 4 6 100%
Bass 20 55 4 6 99%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 23 49 4 6 100%
Bass 20 55 4 6 99%
Harp Continuo Treble 21 46 4 6 100%
Bass 20 54 4 6 99%
Violoncello Continuo Bass 19 0 4 5 99%
Violini Treble 19 16 3 5 76%
Contrabassi Continuo Bass 16 0 2 3 75%
Violoncelli Continuo Bass 16 0 2 3 75%
Cleopatra Treble 16 0 2 5 72%
 
"Quel ch'il cielo" from "Il Pastor Fido," HWV 8a, 1712
edward.maurath
1:31 Est. Play
Time
55 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 14 0 2 3 100%
10 0 1 3 100%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 14 0 2 3 100%
10 0 1 3 100%
Harpsichord Treble 10 0 1 3 100%
Bass 14 0 2 3 100%
Oboe Treble 13 0 3 7 100%
Treble 12 0 3 5 100%
Contrabasses Bass 14 0 2 3 100%
Viola 10 0 1 3 100%
Violoncello Bass 14 0 2 3 100%
Vn
1		 Treble 13 0 3 7 100%
Vn
2		 Treble 12 0 3 5 100%
Bass Bass 12 0 2 3 93%
Soprano 12 0 3 6 93%
Tenor 11 0 2 3 93%
Alto 12 0 3 4 87%
 
I nostri cori dobbiamo offrir, from Terpsichore, prologue to "Il Pastor Fido", HWV 8
edward.maurath
3:47 Est. Play
Time
35 Measures
1,413Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 18 21 4 7 100%
Bass 16 6 1 6 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 18 21 4 7 100%
Bass 16 6 1 6 100%
Bassoon
(Continuo)		 Bass 15 0 1 6 100%
Contrabassi (Continuo) Bass 15 0 1 6 100%
Violas 16 0 4 6 100%
Violins
1		 Treble 22 0 4 7 100%
Violins
2		 Treble 18 0 5 7 100%
Violoncelli (Continuo) Bass 15 0 1 6 100%
Oboe Treble 17 0 4 5 97%
Horn Treble 12 0 1 5 79%
Alto 7 0 2 5 74%
Bass Bass 12 0 1 5 74%
Soprano 10 0 1 6 74%
Tenor 8 0 1 5 74%
 
"Ritorni omai nel nostro core" from "Giulio Cesare," HWV 17, (1724)
edward.maurath
2:32 Est. Play
Time
107 Measures
2,086Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Contniuo Treble 19 15 4 6 100%
Bass 20 25 3 6 100%
View all 19 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Contniuo Treble 19 15 4 6 100%
Bass 20 25 3 6 100%
Basso Continuo Bass 19 0 2 5 100%
Fagotto (Viole) Bass 21 0 2 4 100%
Oboe 1 Treble 15 0 2 5 100%
Oboe 2 Treble 14 0 4 5 100%
Contrabassi Continuo Bass 14 0 2 3 79%
Viole 11 0 2 4 79%
Violini 1 Treble 13 0 2 4 79%
Violini 2 Treble 11 0 2 4 79%
Violoncelli Continuo Bass 14 0 2 3 79%
Corni re Treble 8 0 0 3 73%
Corni sol Treble 7 0 0 3 72%
Bassi Bass 13 0 2 3 69%
Contralti 9 0 1 4 69%
Soprani 13 0 2 4 69%
Tenori 8 0 2 4 69%
Cleopatra 8 0 0 4 23%
Cesare 9 0 2 4 22%
 
HWV56N12 For unto us a child is born
edward.maurath
4:57 Est. Play
Time
99 Measures
2,682Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Continuo Bass 18 0 3 6 100%
Cello Bass 19 0 3 4 100%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Continuo Bass 18 0 3 6 100%
Cello Bass 19 0 3 4 100%
Organ
LH		 Bass 15 42 2 6 100%
Organ
RH		 Treble 19 114 4 6 100%
Violone Bass 19 0 3 4 100%
Oboe Treble 17 0 2 8 82%
Violin
I		 Treble 19 0 3 6 81%
Violin
II		 Treble 19 0 3 6 81%
Viola 14 0 2 6 77%
Alto 12 0 2 7 65%
Soprano 13 0 2 7 65%
Tenor 12 0 2 7 60%
Bass Bass 15 0 3 5 57%
 
HWV56N15 - And the angel said unto them
edward.maurath
0:35 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 15 14 3 6 100%
Bass 14 7 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 15 14 3 6 100%
Bass 14 7 2 4 100%
Cello Bass 8 0 1 4 100%
Contrabass Bass 8 0 1 4 100%
Soprano 9 0 2 5 82%
 
"Alma del gran Pompeo" from HWV 17, "Giulio Cesare," (1724)
edward.maurath
2:20 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 4 6 4 100%
Bass 20 4 6 4 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 4 6 4 100%
Bass 20 4 6 4 100%
Harpsichord Treble 17 4 6 4 100%
Bass 20 4 6 4 100%
Celli Bass 16 0 5 4 100%
Continuo Bass 16 0 5 4 100%
Contrabasses Bass 15 0 5 4 100%
Violas 14 0 5 4 100%
Vln
1		 Treble 14 0 5 6 100%
Vln
2		 Treble 14 0 4 6 100%
Cesare 15 0 6 4 83%